genre - Documentary, Drama Country - USA I AM PATRICK peels back centuries of legend and myth to tell the true story of Saint Patrick. Through historical re-enactments, expert interviews and Patrick's own writings, experience the journey from man to saint Jarrod Anderson Ooh! Looks good! Been waiting for a decent adaptation of the book.
Patrick was a killer of the tribe that lived on the island No saint there
Love it, I can feel the breeze of nostalgia upon me. The Pilgrim's Progress is a great story. The only movie version I've seen is from the 1970s, and an obvious very tight budget. Looking forward to this. Looks awesome. You was here, thanks off. see you - respekt - love you forever. Seeing James Arnold Taylor fighting against Obi Wan Kenobi Ironic. Good program, thanks joel1000 videos are great too. Thanks... You pulled me in with the “Hello There” But Im sad theres no high ground reference. Põem legenda em português. This is just a masterpiece😳😍. Saint Patrick Stained-glass window of St. Patrick from Saint Patrick Catholic Church, Junction City, Ohio Born Roman Britain Venerated in Catholic Church Eastern Orthodox Church Anglican Communion Lutheran Churches Major shrine Armagh, Northern Ireland Glastonbury Abbey, England Feast 17 March ( Saint Patrick's Day) Patronage Ireland, Nigeria, Montserrat, Archdiocese of New York, Roman Catholic Archdiocese of Newark, Boston, Rolla, Missouri, Loíza, Puerto Rico, Murcia (Spain), Clann Giolla Phádraig, engineers, paralegals, Archdiocese of Melbourne; invoked against snakes, sins  Saint Patrick ( Latin: Patricius; Irish: Pádraig [ˈpˠaːd̪ˠɾˠəɟ]; Welsh: Padrig) was a fifth-century Romano-British Christian missionary and bishop in Ireland. Known as the "Apostle of Ireland", he is the primary patron saint of Ireland, the other patron saints being Brigit of Kildare and Columba. He is venerated in the Catholic Church, the Anglican Communion, the Lutheran Churches, the Old Catholic Church, and in the Eastern Orthodox Church as equal-to-the-apostles and Enlightener of Ireland.  The dates of Patrick's life cannot be fixed with certainty, but there is broad agreement that he was active as a missionary in Ireland during the fifth century. Nevertheless, as the most recent biography  on Patrick shows, a late fourth-century date for the saint is not impossible.  Early medieval tradition credits him with being the first bishop of Armagh and Primate of Ireland, and regards him as the founder of Christianity in Ireland, converting a society practising a form of Celtic polytheism. He has been generally so regarded ever since, despite evidence of some earlier Christian presence in Ireland. According to the autobiographical Confessio of Patrick, when he was about 16, he was captured by Irish pirates from his home in Britain and taken as a slave to Ireland, looking after animals; he lived there for six years before escaping and returning to his family. After becoming a cleric, he returned to northern and western Ireland. In later life, he served as a bishop, but little is known about the places where he worked. By the seventh century, he had already come to be revered as the patron saint of Ireland. Saint Patrick's Day is observed on 17 March, the supposed date of his death. It is celebrated inside and outside Ireland as a religious and cultural holiday. In the dioceses of Ireland, it is both a solemnity and a holy day of obligation; it is also a celebration of Ireland itself. Sources Two Latin works survive which are generally accepted as having been written by St. Patrick. These are the Declaration ( Latin: Confessio)  and the Letter to the soldiers of Coroticus ( Latin: Epistola),  from which come the only generally accepted details of his life.  The Declaration is the more biographical of the two. In it, Patrick gives a short account of his life and his mission. Most available details of his life are from subsequent hagiographies and annals, which have considerable value but lack the empiricism scholars depend on today.  Name The only name that Patrick uses for himself in his own writings is Pātricius [paːˈtrɪʊs], which gives Old Irish Pátraic [ˈpaːtraiɡʲ] and Modern Irish Pádraig ( [ˈpˠaːd̪ˠɾˠəɟ]); English Patrick; Welsh Padrig; Cornish Petroc. Hagiography records other names he is said to have borne. Tírechán 's seventh-century Collectanea gives: "Magonus, that is, famous; Succetus, that is, god of war; Patricius, that is, father of the citizens; Cothirthiacus, because he served four houses of druids. "  "Magonus" appears in the ninth century Historia Brittonum as Maun, descending from British *Magunos, meaning "servant-lad".  "Succetus", which also appears in Muirchú moccu Machtheni 's seventh century Life as Sochet,  is identified by Mac Neill as "a word of British origin meaning swineherd".  Cothirthiacus also appears as Cothraige in the 8th century biographical poem known as Fiacc's Hymn and a variety of other spellings elsewhere, and is taken to represent a Primitive Irish *Qatrikias, although this is disputed. Harvey argues that Cothraige "has the form of a classic Old Irish tribal (and therefore place-) name", noting that Ail Coithrigi is a name for the Rock of Cashel, and the place-names Cothrugu and Catrige are attested in Counties Antrim and Carlow.  Dating The reputed burial place of Saint Patrick in Downpatrick The dates of Patrick's life are uncertain; there are conflicting traditions regarding the year of his death. His own writings provide no evidence for any dating more precise than the 5th century generally. His Biblical quotations are a mixture of the Old Latin version and the Vulgate, completed in the early 5th century, suggesting he was writing "at the point of transition from Old Latin to Vulgate",  although it is possible the Vulgate readings may have been added later, replacing earlier readings.  The Letter to Coroticus implies that the Franks were still pagans at the time of writing:  their conversion to Christianity is dated to the period 496–508.  The Irish annals for the fifth century date Patrick's arrival in Ireland at 432, but they were compiled in the mid 6th century at the earliest.  The date 432 was probably chosen to minimise the contribution of Palladius, who was known to have been sent to Ireland in 431, and maximise that of Patrick.  A variety of dates are given for his death. In 457 "the elder Patrick" ( Irish: Patraic Sen) is said to have died: this may refer to the death of Palladius, who according to the Book of Armagh was also called Patrick.  In 461/2 the annals say that "Here some record the repose of Patrick"; : 19 in 492/3 they record the death of "Patrick, the arch-apostle (or archbishop and apostle) of the Scoti", on 17 March, at the age of 120. : 31 While some modern historians  accept the earlier date of c. 460 for Patrick's death, scholars of early Irish history tend to prefer a later date, c. 493. Supporting the later date, the annals record that in 553 "the relics of Patrick were placed sixty years after his death in a shrine by Colum Cille " (emphasis added).  The death of Patrick's disciple Mochta is dated in the annals to 535 or 537,   and the early hagiographies "all bring Patrick into contact with persons whose obits occur at the end of the fifth century or the beginning of the sixth".  However, E. A. Thompson argues that none of the dates given for Patrick's death in the Annals are reliable.  A recent biography argues that a late fourth-century date for the saint is not impossible. : 34–35 "Two Patricks" theory Irish academic T. F. O'Rahilly proposed the "Two Patricks" theory,  which suggests that many of the traditions later attached to Saint Patrick actually concerned the aforementioned Palladius, who Prosper of Aquitaine 's Chronicle says was sent by Pope Celestine I as the first bishop to Irish Christians in 431. Palladius was not the only early cleric in Ireland at this time. The Irish-born Saint Ciarán of Saigir lived in the later fourth century (352–402) and was the first bishop of Ossory. Ciaran, along with saints Auxilius, Secundinus and Iserninus, is also associated with early churches in Munster and Leinster. By this reading, Palladius was active in Ireland until the 460s.  Prosper associates Palladius' appointment with the visits of Germanus of Auxerre to Britain to suppress Pelagianism and it has been suggested that Palladius and his colleagues were sent to Ireland to ensure that exiled Pelagians did not establish themselves among the Irish Christians. The appointment of Palladius and his fellow-bishops was not obviously a mission to convert the Irish, but more probably intended to minister to existing Christian communities in Ireland.  The sites of churches associated with Palladius and his colleagues are close to royal centres of the period: Secundus is remembered by Dunshaughlin, County Meath, close to the Hill of Tara which is associated with the High King of Ireland; Killashee, County Kildare, close to Naas with links with the kings of Leinster, is probably named for Auxilius. This activity was limited to the southern half of Ireland, and there is no evidence for them in Ulster or Connacht.  Although the evidence for contacts with Gaul is clear, the borrowings from Latin into Old Irish show that links with Roman Britain were many.  Iserninus, who appears to be of the generation of Palladius, is thought to have been a Briton, and is associated with the lands of the Uí Ceinnselaig in Leinster. The Palladian mission should not be contrasted with later "British" missions, but forms a part of them;  nor can the work of Palladius be uncritically equated with that of Saint Patrick, as was once traditional.  Life Patrick was born in Roman Britain. His birthplace is not known with any certainty; some traditions place it in England—one identifying it as Glannoventa (modern Ravenglass in Cumbria)  —but claims have also been advanced for locations in both present-day Scotland  and Wales.  His father, Calpurnius, was a decurion and deacon, his grandfather Potitus was a priest from Bonaven Tabernia,  Patrick, however, was not an active believer. According to the Confession of Saint Patrick, at the age of sixteen he was captured by a group of Irish pirates.  They took him to Ireland where he was enslaved and held captive for six years. Patrick writes in the Confession  that the time he spent in captivity was critical to his spiritual development. He explains that the Lord had mercy on his youth and ignorance, and afforded him the opportunity to be forgiven his sins and convert to Christianity. While in captivity, he worked as a shepherd and strengthened his relationship with God through prayer, eventually leading him to convert to Christianity.  After six years of captivity he heard a voice telling him that he would soon go home, and then that his ship was ready. Fleeing his master, he travelled to a port, two hundred miles away,  where he found a ship and with difficulty persuaded the captain to take him. After three days' sailing, they landed, presumably in Britain, and apparently all left the ship, walking for 28 days in a "wilderness" and becoming faint from hunger. After Patrick prayed for sustenance, they encountered a herd of wild boar;  since this was shortly after Patrick had urged them to put their faith in God, his prestige in the group was greatly increased. After various adventures, he returned home to his family, now in his early twenties.  After returning home to Britain, Patrick continued to study Christianity. Patrick recounts that he had a vision a few years after returning home: I saw a man coming, as it were from Ireland. His name was Victoricus, and he carried many letters, and he gave me one of them. I read the heading: "The Voice of the Irish". As I began the letter, I imagined in that moment that I heard the voice of those very people who were near the wood of Foclut, which is beside the western sea—and they cried out, as with one voice: "We appeal to you, holy servant boy, to come and walk among us. "  A. B. E. Hood suggests that the Victoricus of St. Patrick's vision may be identified with Saint Victricius, bishop of Rouen in the late fourth century, who had visited Britain in an official capacity in 396.  However, Ludwig Bieler disagrees.  He studied in Europe principally at Auxerre, but is thought to have visited the Marmoutier Abbey, Tours and to have received the tonsure at Lérins Abbey. Saint Germanus of Auxerre, a bishop of the Western Church, ordained him to the priesthood.   Acting on his vision, Patrick returned to Ireland as a Christian missionary.  According to J. Bury, his landing place was Wicklow, Co. Wicklow, at the mouth of the river Inver-dea, which is now called the Vartry.  Bury suggests that Wicklow was also the port through which Patrick made his escape after his six years' captivity, though he offers only circumstantial evidence to support this.  Tradition has it that Patrick was not welcomed by the locals and was forced to leave and seek a more welcoming landing place further north. He rested for some days at the islands off the Skerries coast, one of which still retains the name of Inis-Patrick. The first sanctuary dedicated by Patrick was at Saul. Shortly thereafter Benin (or Benignus), son of the chieftain Secsnen, joined Patrick's group.  Much of the Declaration concerns charges made against Patrick by his fellow Christians at a trial. What these charges were, he does not say explicitly, but he writes that he returned the gifts which wealthy women gave him, did not accept payment for baptisms, nor for ordaining priests, and indeed paid for many gifts to kings and judges, and paid for the sons of chiefs to accompany him. It is concluded, therefore, that he was accused of some sort of financial impropriety, and perhaps of having obtained his bishopric in Ireland with personal gain in mind.  The condemnation might have contributed to his decision to return to Ireland. According to Patrick’s most recent biographer, Roy Flechner, the Confessio was written in part as a defence against his detractors, who did not believe that he was taken to Ireland as a slave, despite Patrick’s vigorous insistence that he was.  Patrick eventually returned to Ireland, probably settling in the west of the island, where, in later life, he became a bishop and ordained subordinate clerics. From this same evidence, something can be seen of Patrick's mission. He writes that he "baptised thousands of people".  He ordained priests to lead the new Christian communities. He converted wealthy women, some of whom became nuns in the face of family opposition. He also dealt with the sons of kings, converting them too.  The Confessio is generally vague about the details of his work in Ireland, though giving some specific instances. This is partly because, as he says at points, he was writing for a local audience of Christians who knew him and his work. There are several mentions of travelling around the island, and of sometimes difficult interactions with the ruling elite. He does claim of the Irish: Never before did they know of God except to serve idols and unclean things. But now, they have become the people of the Lord, and are called children of God. The sons and daughters of the leaders of the Irish are seen to be monks and virgins of Christ!  Patrick's position as a foreigner in Ireland was not an easy one. His refusal to accept gifts from kings placed him outside the normal ties of kinship, fosterage and affinity. Legally he was without protection, and he says that he was on one occasion beaten, robbed of all he had, and put in chains, perhaps awaiting execution.  Patrick says that he was also "many years later" a captive for 60 days, without giving details.  Murchiú's life of Saint Patrick contains a supposed prophecy by the druids which gives an impression of how Patrick and other Christian missionaries were seen by those hostile to them: Across the sea will come Adze -head,  crazed in the head, his cloak with hole for the head, his stick bent in the head. He will chant impieties from a table in the front of his house; all his people will answer: "so be it, so be it. "  The second piece of evidence that comes from Patrick's life is the Letter to Coroticus or Letter to the Soldiers of Coroticus, written after a first remonstrance was received with ridicule and insult. In this, Patrick writes  an open letter announcing that he has excommunicated Coroticus because he had taken some of Patrick's converts into slavery while raiding in Ireland. The letter describes the followers of Coroticus as "fellow citizens of the devils" and "associates of the Scots [of Dalriada and later Argyll] and Apostate Picts ".  Based largely on an eighth-century gloss, Coroticus is taken to be King Ceretic of Alt Clut.  Thompson however proposed that based on the evidence it is more likely that Coroticus was a British Roman living in Ireland.  It has been suggested that it was the sending of this letter which provoked the trial which Patrick mentions in the Confession.  Seventh-century writings An early document which is silent concerning Patrick is the letter of Columbanus to Pope Boniface IV of about 613. Columbanus writes that Ireland's Christianity "was first handed to us by you, the successors of the holy apostles", apparently referring to Palladius only, and ignoring Patrick.  Writing on the Easter controversy in 632 or 633, Cummian—it is uncertain whether this is Cumméne Fota, associated with Clonfert, or Cumméne Find —does refer to Patrick, calling him "our papa"; that is, pope or primate.  Two works by late seventh-century hagiographers of Patrick have survived. These are the writings of Tírechán and the Vita sancti Patricii of Muirchú moccu Machtheni.  Both writers relied upon an earlier work, now lost, the Book of Ultán.  This Ultán, probably the same person as Ultan of Ardbraccan, was Tírechán's foster-father. His obituary is given in the Annals of Ulster under the year 657.  These works thus date from a century and a half after Patrick's death. Tírechán writes, "I found four names for Patrick written in the book of Ultán, bishop of the tribe of Conchobar: holy Magonus (that is, "famous"); Succetus (that is, the god of war); Patricius (that is, father of the citizens); Cothirtiacus (because he served four houses of druids). "  Muirchu records much the same information, adding that "[h]is mother was named Concessa".  The name Cothirtiacus, however, is simply the Latinized form of Old Irish Cothraige, which is the Q-Celtic form of Latin Patricius.  The Patrick portrayed by Tírechán and Muirchu is a martial figure, who contests with druids, overthrows pagan idols, and curses kings and kingdoms.  On occasion, their accounts contradict Patrick's own writings: Tírechán states that Patrick accepted gifts from female converts although Patrick himself flatly denies this. However, the emphasis Tírechán and Muirchu placed on female converts, and in particular royal and noble women who became nuns, is thought to be a genuine insight into Patrick's work of conversion. Patrick also worked with the unfree and the poor, encouraging them to vows of monastic chastity. Tírechán's account suggests that many early Patrician churches were combined with nunneries founded by Patrick's noble female converts.  The martial Patrick found in Tírechán and Muirchu, and in later accounts, echoes similar figures found during the conversion of the Roman Empire to Christianity. It may be doubted whether such accounts are an accurate representation of Patrick's time, although such violent events may well have occurred as Christians gained in strength and numbers.  Much of the detail supplied by Tírechán and Muirchu, in particular the churches established by Patrick, and the monasteries founded by his converts, may relate to the situation in the seventh century, when the churches which claimed ties to Patrick, and in particular Armagh, were expanding their influence throughout Ireland in competition with the church of Kildare. In the same period, Wilfred, Archbishop of York, claimed to speak, as metropolitan archbishop, "for all the northern part of Britain and of Ireland" at a council held in Rome in the time of Pope Agatho, thus claiming jurisdiction over the Irish church.  Other presumed early materials include the Irish annals, which contain records from the Chronicle of Ireland. These sources have conflated Palladius and Patrick.  Another early document is the so-called First Synod of Saint Patrick. This is a seventh-century document, once, but no longer, taken as to contain a fifth-century original text. It apparently collects the results of several early synods, and represents an era when pagans were still a major force in Ireland. The introduction attributes it to Patrick, Auxilius, and Iserninus, a claim which "cannot be taken at face value. "  Patrick uses shamrock in an illustrative parable Patrick depicted with shamrock in detail of stained glass window in St. Benin's Church, Kilbennan, County Galway, Ireland Legend credits Patrick with teaching the Irish about the doctrine of the Holy Trinity by showing people the shamrock, a three-leafed plant, using it to illustrate the Christian teaching of three persons in one God.   This story first appears in writing in 1726, though it may be older. The shamrock has since become a central symbol for Saint Patrick's Day. In pagan Ireland, three was a significant number and the Irish had many triple deities, a fact that may have aided Patrick in his evangelisation efforts when he "held up a shamrock and discoursed on the Christian Trinity".   Patricia Monaghan says there is no evidence that the shamrock was sacred to the pagan Irish.  However, Jack Santino speculates that it may have represented the regenerative powers of nature, and was recast in a Christian context. Icons of St Patrick often depict the saint "with a cross in one hand and a sprig of shamrocks in the other".  Roger Homan writes, "We can perhaps see St Patrick drawing upon the visual concept of the triskele when he uses the shamrock to explain the Trinity".  Patrick banishes all snakes from Ireland The absence of snakes in Ireland has been noted from as early as the third century by Gaius Julius Solinus, but later legend has attributed the banishment of all reptiles from the island to Patrick. As Roy Flechner shows in his biography, the earliest text to mention an Irish saint banishing snakes from Ireland is in fact the Life of Saint Columba (chapter 3. 23), written in the late seventh or early eighth century.  The earliest written record of a legend about Patrick ridding Ireland of venomous creatures date to the thirteenth century by Gerald of Wales, who expressed scepticism about the veracity of the story.  The more familiar version of the legend is given by Jocelyn of Furness, who says that the snakes had all been banished by Patrick  chasing them into the sea after they attacked him during a 40-day fast he was undertaking on top of a hill.  The hagiographic theme of banishing snakes may draw on the Biblical account of the staff of the prophet Moses. In Exodus 7:8–7:13, Moses and Aaron use their staffs in their struggle with Pharaoh's sorcerers, the staffs of each side turning into snakes. Aaron's snake-staff prevails by consuming the other snakes.  Patrick banishing the snakes However, all evidence suggests that post-glacial Ireland never had snakes.  "At no time has there ever been any suggestion of snakes in Ireland, so [there was] nothing for St. Patrick to banish", says naturalist Nigel Monaghan, keeper of natural history at the National Museum of Ireland in Dublin, who has searched extensively through Irish fossil collections and records.  The snakes, rather, were a metaphor for the druids, whom Patrick is said to have driven out of Ireland when he established Christianity there.  Patrick's walking stick grows into a living tree Some Irish legends involve the Oilliphéist, the Caoránach, and the Copóg Phádraig. During his evangelising journey back to Ireland from his parents' home, he is understood to have carried with him an ash wood walking stick or staff. He thrust this stick into the ground wherever he was evangelising and at the place now known as Aspatria (ash of Patrick), the message of the dogma took so long to get through to the people there that the stick had taken root by the time he was ready to move on. Patrick speaks with ancient Irish ancestors The twelfth-century work Acallam na Senórach tells of Patrick being met by two ancient warriors, Caílte mac Rónáin and Oisín, during his evangelical travels. The two were once members of Fionn mac Cumhaill 's warrior band the Fianna, and somehow survived to Patrick's time.  In the work St. Patrick seeks to convert the warriors to Christianity, while they defend their pagan past. The heroic pagan lifestyle of the warriors, of fighting and feasting and living close to nature, is contrasted with the more peaceful, but unheroic and non-sensual life offered by Christianity. [ citation needed] Folk piety The version of the details of his life generally accepted by modern scholars, [ dubious – discuss] as elaborated by later sources, popular writers and folk piety, typically [ improper synthesis? ] includes extra details such that Patrick, originally named Maewyn Succat, was born in 387 AD in (among other candidate locations, see above) Banna venta Berniae  to the parents Calpernius and Conchessa. At the age of 16 in 403 AD Patrick was captured and enslaved by the Irish and was sent to Ireland to serve as a slave herding and tending sheep in Dalriada.  During his time in captivity Patrick became fluent in the Irish language and culture. After six years, Patrick escaped captivity after hearing a voice urging him to travel to a distant port where a ship would be waiting to take him back to Britain.  On his way back to Britain, Patrick was captured again and spent 60 days in captivity in Tours, France. During his short captivity within France, Patrick learned about French monasticism. At the end of his second captivity Patrick had a vision of Victoricus giving him the quest of bringing Christianity to Ireland.  Following his second captivity Patrick returned to Ireland and, using the knowledge of Irish language and culture that he had gained during his first captivity, brought Christianity and monasticism to Ireland in the form of more than 300 churches and over 100, 000 Irish baptised.  According to the Annals of the Four Masters, an early-modern compilation of earlier annals, his corpse soon became an object of conflict in the Battle for the Body of Saint Patrick ( Cath Coirp Naomh Padraic): The Uí Néill and the Airgíalla attempted to bring it to Armagh; the Ulaid tried to keep it for themselves. When the Uí Néill and the Airgíalla came to a certain water, the river swelled against them so that they were not able to cross it. When the flood had subsided the Ui Neill and the Ulaid united on terms of peace, to bring the body of Patrick with them. It appeared to each of them that each had the body conveying it to their respective territories. The body of Patrick was afterwards interred at Dun Da Lethglas with great honour and veneration; and during the twelve nights that the religious seniors were watching the body with psalms and hymns, it was not night in Magh Inis or the neighbouring lands, as they thought, but as if it were the full undarkened light of day.  Abduction reinterpreted According to Patrick's own account, it was Irish raiders who brought him to Ireland where he was enslaved and held captive for six years.  However, a recent alternative interpretation of Patrick's departure to Ireland suggests that, as the son of a decurion, he would have been obliged by Roman law to serve on the town council ( curia), but chose instead to abscond from the onerous obligations of this office by fleeing abroad, as many others in his position had done in what has become known as the 'flight of the curiales '.  Roy Flechner also asserts the improbability of an escape from servitude and journey of the kind that Patrick purports to have undertaken. He also draws attention to the biblical allusions in Patrick's own account (e. g. the theme of freedom after six years of servitude in Exod. 21:2 or Jer. 34:14), which imply that perhaps parts of the account may not have been intended to be understood literally.  Saint Patrick's crosses Patrick showing cross pattée on his robes There are two main types of crosses associated with Patrick, the cross pattée and the Saltire. The cross pattée is the more traditional association, while the association with the saltire dates from 1783 and the Order of St. Patrick. The cross pattée has long been associated with Patrick, for reasons that are uncertain. One possible reason is that bishops' mitres in Ecclesiastical heraldry often appear surmounted by a cross pattée.   An example of this can be seen on the old crest of the Brothers of St.  As Patrick was the founding bishop of the Irish church, the symbol may have become associated with him. Patrick is traditionally portrayed in the vestments of a bishop, and his mitre and garments are often decorated with a cross pattée.      The cross pattée retains its link to Patrick to the present day. For example, it appears on the coat of arms of both the Roman Catholic Archdiocese of Armagh  and the Church of Ireland Archdiocese of Armagh.  This is on account of Patrick being regarded as the first bishop of the Diocese of Armagh. It is also used by Down District Council which has its headquarters in Downpatrick, the reputed burial place of Patrick. Saint Patrick's Saltire is a red saltire on a white field. It is used in the insignia of the Order of Saint Patrick, established in 1783, and after the Acts of Union 1800 it was combined with the Saint George's Cross of England and the Saint Andrew's Cross of Scotland to form the Union Flag of the United Kingdom of Great Britain and Ireland. A saltire was intermittently used as a symbol of Ireland from the seventeenth century, but without reference to Patrick. Traditional Saint Patrick's Day badges from the early twentieth century, from the Museum of Country Life, Castlebar It was formerly a common custom to wear a cross made of paper or ribbon on St Patrick's Day. Surviving examples of such badges come in many colours  and they were worn upright rather than as saltires.  Thomas Dinely, an English traveller in Ireland in 1681, remarked that "the Irish of all stations and condicõns were crosses in their hatts, some of pins, some of green ribbon. "  Jonathan Swift, writing to " Stella " of Saint Patrick's Day 1713, said " the Mall was so full of crosses that I thought all the world was Irish".  In the 1740s, the badges pinned were multicoloured interlaced fabric.  In the 1820s, they were only worn by children, with simple multicoloured daisy patterns.   In the 1890s, they were almost extinct, and a simple green Greek cross inscribed in a circle of paper (similar to the Ballina crest pictured).  The Irish Times in 1935 reported they were still sold in poorer parts of Dublin, but fewer than those of previous years "some in velvet or embroidered silk or poplin, with the gold paper cross entwined with shamrocks and ribbons".  Saint Patrick's Bell The Shrine of St. Patrick's Bell The National Museum of Ireland in Dublin possesses a bell ( Clog Phádraig)   first mentioned, according to the Annals of Ulster, in the Book of Cuanu in the year 552. The bell was part of a collection of "relics of Patrick" removed from his tomb sixty years after his death by Colum Cille to be used as relics. The bell is described as "The Bell of the Testament", one of three relics of "precious minna" (extremely valuable items), of which the other two are described as Patrick's goblet and "The Angels Gospel". Colum Cille is described to have been under the direction of an "Angel" for whom he sent the goblet to Down, the bell to Armagh, and kept possession of the Angel's Gospel for himself. The name Angels Gospel is given to the book because it was supposed that Colum Cille received it from the angel's hand. A stir was caused in 1044 when two kings, in some dispute over the bell, went on spates of prisoner taking and cattle theft. The annals make one more apparent reference to the bell when chronicling a death, of 1356: "Solomon Ua Mellain, The Keeper of The Bell of the Testament, protector, rested in Christ. " The bell was encased in a "bell shrine", a distinctive Irish type of reliquary made for it, as an inscription records, by King Domnall Ua Lochlainn sometime between 1091 and 1105. The shrine is an important example of the final, Viking-influenced, style of Irish Celtic art, with intricate Urnes style decoration in gold and silver. The Gaelic inscription on the shrine also records the name of the maker "U INMAINEN" (which translates to "Noonan"), "who with his sons enriched/decorated it"; metalwork was often inscribed for remembrance. The bell itself is simple in design, hammered into shape with a small handle fixed to the top with rivets. Originally forged from iron, it has since been coated in bronze. The shrine is inscribed with three names, including King Domnall Ua Lochlainn's. The rear of the shrine, not intended to be seen, is decorated with crosses while the handle is decorated with, among other work, Celtic designs of birds. The bell is accredited with working a miracle in 1044 and having been coated in bronze to shield it from human eyes, for which it would be too holy. It measures 12. 5 × 10 cm at the base, 12. 8 × 4 cm at the shoulder, 16. 5 cm from base to shoulder, 3. 3 cm from shoulder to top of handle and weighs 1. 7 kg.  Saint Patrick's Breastplate Saint Patrick's Breastplate is a lorica, or hymn, which is attributed to Patrick during his Irish ministry in the 5th century. Saint Patrick and Irish identity Logo of Down District Council showing the cross pattée Patrick features in many stories in the Irish oral tradition and there are many customs connected with his feast day. The folklorist Jenny Butler  discusses how these traditions have been given new layers of meaning over time while also becoming tied to Irish identity both in Ireland and abroad. The symbolic resonance of the Saint Patrick figure is complex and multifaceted, stretching from that of Christianity's arrival in Ireland to an identity that encompasses everything Irish. In some portrayals, the saint is symbolically synonymous with the Christian religion itself. There is also evidence of a combination of indigenous religious traditions with that of Christianity, which places St Patrick in the wider framework of cultural hybridity. Popular religious expression has this characteristic feature of merging elements of culture. Later in time, the saint becomes associated specifically with Catholic Ireland and synonymously with Irish national identity. Subsequently, Saint Patrick is a patriotic symbol along with the colour green and the shamrock. Saint Patrick's Day celebrations include many traditions that are known to be relatively recent historically, but have endured through time because of their association either with religious or national identity. They have persisted in such a way that they have become stalwart traditions, viewed as the strongest "Irish traditions". Sainthood and modern remembrance Icon of Saint Patrick from Christ the Savior Orthodox Church, Wayne, WV. 17 March, popularly known as Saint Patrick's Day, is believed to be his death date and is the date celebrated as his Feast Day.  The day became a feast day in the Catholic Church due to the influence of the Waterford -born Franciscan scholar Luke Wadding, as a member of the commission for the reform of the Breviary in the early part of the seventeenth century.  For most of Christianity's first thousand years, canonisations were done on the diocesan or regional level. Relatively soon after the death of people considered very holy, the local Church affirmed that they could be liturgically celebrated as saints. As a result, Patrick has never been formally canonised by a Pope; nevertheless, various Christian churches declare that he is a Saint in Heaven (he is in the List of Saints). He is still widely venerated in Ireland and elsewhere today.  Patrick is honoured with a feast day on the liturgical calendar of the Episcopal Church (USA) and with a commemoration on the calendar of Evangelical Lutheran Worship, both on 17 March. Patrick is also venerated in the Orthodox Church, especially among English-speaking Orthodox Christians living in Ireland, the UK and in the US.  There are Orthodox icons dedicated to him.  Patrick is said to be buried at Down Cathedral in Downpatrick, County Down, alongside Saint Brigid and Saint Columba, although this has never been proven. Saint Patrick Visitor Centre is a modern exhibition complex located in Downpatrick and is a permanent interpretative exhibition centre featuring interactive displays on the life and story of Patrick. It provides the only permanent exhibition centre in the world devoted to Patrick.  Places associated with Saint Patrick Saint Patrick's statue at Saul, County Down Slemish, County Antrim and Killala Bay, County Mayo When captured by raiders, there are two theories as to where Patrick was enslaved. One theory is that he herded sheep in the countryside around Slemish. Another theory is that Patrick herded sheep near Killala Bay, at a place called Fochill. Saul, County Down (from Irish: Sabhall Phádraig, meaning "Patrick's barn")  It is claimed that Patrick founded his first church in a barn at Saul, which was donated to him by a local chieftain called Dichu. It is also claimed that Patrick died at Saul or was brought there between his death and burial. Nearby, on the crest of Slieve Patrick, is a huge statue of Patrick with bronze panels showing scenes from his life. Hill of Slane, County Meath Muirchu moccu Machtheni, in his highly mythologised seventh-century Life of Patrick, says that Patrick lit a Paschal fire on this hilltop in 433 in defiance of High King Laoire. The story says that the fire could not be doused by anyone but Patrick, and it was here that he explained the holy trinity using the shamrock. Croagh Patrick, County Mayo (from Irish: Cruach Phádraig, meaning "Patrick's stack")  It is claimed that Patrick climbed this mountain and fasted on its summit for the forty days of Lent. Croagh Patrick draws thousands of pilgrims who make the trek to the top on the last Sunday in July. Lough Derg, County Donegal (from Irish: Loch Dearg, meaning "red lake")  It is claimed that Patrick killed a large serpent on this lake and that its blood turned the water red (hence the name). Each August, pilgrims spend three days fasting and praying there on Station Island. Armagh, County Armagh It is claimed that Patrick founded a church here and proclaimed it to be the most holy church in Ireland. Armagh is today the primary seat of both the Catholic Church in Ireland and the Church of Ireland, and both cathedrals in the town are named after Patrick. Downpatrick, County Down (from Irish: Dún Pádraig, meaning "Patrick's stronghold")  It is claimed that Patrick was brought here after his death and buried in the grounds of Down Cathedral. Stone found below St. Patrick's Well. St. Patrick's Cathedral, Dublin, Ireland. Other places named after Saint Patrick include: Patrickswell Lane, a well in Drogheda Town where St. Patrick opened a monastery and baptised the townspeople. Ardpatrick, County Limerick (from Irish: Ard Pádraig, meaning "high place of Patrick")  Patrick Water (Old Patrick Water), Elderslie, Renfrewshire. from Scots' Gaelic "AlltPadraig" meaning Patrick's Burn     Patrickswell or Toberpatrick, County Limerick (from Irish: Tobar Phádraig, meaning "Patrick's well")  St Patrick's Chapel, Heysham St Patrick's Island, County Dublin Old Kilpatrick, near Dumbarton, Scotland from "Cill Phàdraig, " Patrick's Church, a claimant to his birthplace St Patrick's Isle, off the Isle of Man St. Patricks, Newfoundland and Labrador, a community in the Baie Verte district of Newfoundland Llanbadrig (church), Ynys Badrig (island), Porth Padrig (cove), Llyn Padrig (lake), and Rhosbadrig (heath) on the island of Anglesey in Wales Templepatrick, County Antrim (from Irish: Teampall Phádraig, meaning "Patrick's church")  St Patrick's Hill, Liverpool, on old maps of the town near to the former location of "St Patrick's Cross"  Parroquia San Patricio y Espiritu Santo. Loiza, Puerto Rico. The site was initially mentioned in 1645 as a chapel. The actual building was completed by 1729, is one of the oldest churches in the Americas and today represents the faith of many Irish immigrants that settled in Loiza by the end of the 18th century. Today it is a museum. In literature Robert Southey wrote a ballad called "Saint Patrick's Purgatory", based on popular legends surrounding the saint's name. Patrick is mentioned in a 17th-century ballad about " Saint George and the Dragon " Stephen R. Lawhead wrote the fictional Patrick: Son of Ireland loosely based on the saint's life, including imagined accounts of training as a druid and service in the Roman army before his conversion.  The 1999 historical novel Let Me Die in Ireland by Anabaptist author and attorney David Bercot is based on the documented facts of Patrick's life rather than the legend, and suggests implications of his example for Christians today.  In film St. Patrick: The Irish Legend is a 2000 television historical drama film about the saint's life. Patrick is portrayed by Patrick Bergin. See also Saint Mun, his nephew St Patrick halfpenny St. Patrick's blue St Patrick's Purgatory St Patrick's Rock List of Catholic saints References ^ "Saints by Cause". Retrieved 25 August 2006. ^ Meekins, Jeannie. Saint Patrick. Learning Island. p. 14. ^ Saint Patrick Retold: The Legend and History of Ireland's Patron Saint. Princeton University Press. 2019. ISBN 9780691190013. ^ See Flechner 2019, pp. 34–35 ^ MacAnnaidh, S. (2013). Irish History. Parragon Books Ltd. ISBN 978-1-4723-2723-9 [ page needed] ^ Both texts in original Latin, various translations and with images of all extant manuscript testimonies on the "Saint Patrick's Confessio HyperStack website". Royal Irish Academy Dictionary of Medieval Latin from Celtic Sources. Retrieved 14 September 2011. ^ Macthéni, Muirchú maccu; White, Newport John Davis (1920). Patrick, his writings and life. New York: The Macmillan Company. pp. 31–51, 54–60. Retrieved 17 March 2013. ^ "Saints' Lives". Internet Medieval Sources. Fordham University. Retrieved 4 July 2017. [ page needed] ^ a b c Dumville 1993, p. 90 ^ Eoin Mac Neill, St. Patrick, Clonmore and Reynolds, 1964, pp. 87–88 ^ Anthony Harvey, "The Significance of Cothraige ", Ériu Vol. 36, 1985, pp. 1–9 ^ Dumville 1993, p. 16 ^ See Flechner 2011, pp. 125–26 ^ a b Ó Cróinín 1995, p. 26 ^ Stancliffe 2004 ^ a b Byrne 1973, pp. 78–79 ^ a b Hennessy, W. M. (trans. ) Annals of Ulster; otherwise, Annals of Senat, Vol. I. Alexander Thom & Co. (Dublin), 1887. ^ Dumville, pp. 116–; Wood 2001, p. 45 n. 5 ^ a b De Paor 1993, pp. 121–22 ^ Ó Cróinín 1995, p. 27 ^ Byrne 1973, p. 80 ^ Thompson, E. (1999). Who Was Saint Patrick?. The Boydell Press. pp. 166–75. ^ Roy Flechner (2019). Saint Patrick Retold: The Legend and History of Ireland's Patron Saint. ISBN 978-0691190013. ^ a b O'Rahilly 1942 ^ Byrne, pp. 78–79; De Paor 1993, pp. 6–7, 88–89; Duffy 1997, pp. 16–17; Fletcher 1997, pp. 300–06; Yorke 2006, p. 112 ^ There may well have been Christian "Irish" people in Britain at this time; Goidelic-speaking people were found on both sides of the Irish Sea, with Irish being spoken from Cornwall to Argyll. The influence of the Kingdom of Dyfed may have been of particular importance. See Charles-Edwards 2000, pp. 161–72; Dark 2000, pp. 188–90; Ó Cróinín 1995, pp. 17–18; Thomas 1981, pp. 297–300 ^ Duffy 1997, pp. 16–17; Thomas 1981, p. 305 ^ Charles-Edwards 2000, pp. 184–87; Thomas 1981, pp. 297–300; Yorke 2006, pp. 112–14 ^ Charles-Edwards 2000, pp. 233–40 ^ De Paor glosses it as "[probably near] Carlisle " and Thomas argues at length for the areas of Birdoswald, twenty miles (32 km) east of Carlisle on Hadrian's Wall. There is a Roman town known as Bannaventa in Northamptonshire, but this is likely too far from the sea. See De Paor 1993, pp. 88, 96; Thomas 1981, pp. 310–14; Bury 1905, p. 17 ^ The Catholic Encyclopedia states he was born in Kilpatrick, Scotland. Herbermann, Charles, ed. (1913). "St. Patrick". Catholic Encyclopedia. New York: Robert Appleton Company. ^ MacNeill, Eoin (1926). "The Native Place of St. Proceedings of the Royal Irish Academy. Dublin: Hodges, Figgis: 118–40. Retrieved 17 March 2013. MacNeill argues for an origin in South Wales, noting that the western coasts of southern Scotland and northern England held little to interest a raider seeking quick access to booty and numerous slaves, while the southern coast of Wales offered both. In addition, the region was home to Uí Liatháin and possibly also y Déisi settlers during this time, so Irish raiders would have had the contacts to tell them precisely where to go to quickly obtain booty and capture slaves. MacNeill also suggests a possible home town based on naming similarities, but allows that the transcription errors in manuscripts make this little more than an educated guess. ^ "An Inquiry as to the Birthplace of St. By J. H. Turner, M. p. 268. Read before the Society, 8 January 1872. Archaeologia Scotica pp. 261–84. Society of Antiquaries of Scotland, Volume 5, 1890". Retrieved 17 March 2019. ^ a b c d "Confession of St Patrick". Christian Classics Ethereal Library. 7 April 2013. ^ "Confession of St. Patrick, Part 17". Retrieved 11 March 2010. ^ "Confession #19". St Patrick's Confessio. Royal Irish Academy. ^ De Paor 1993, pp. 99–100; Charles-Edwards 2000, p. 229; Confessio; 17–19 ^ De Paor 1993, p. 100 De Paor glosses Foclut as "west of Killala Bay, in County Mayo ", but it appears that the location of Fochoill (Foclut or Voclut) is still a matter of debate. See Charles-Edwards 2000, p. 215; Confessio; 17 ^ Hood 1978, p. 4 ^ Thomas, Charles (1981). Christianity in Roman Britain to AD 500. University of California Press. p. 51. ISBN 978-0520043923. ^ Bridgwater, William; Kurtz, Seymour, eds. (1963). "Saint Patrick". The Columbia Encyclopedia (3rd ed. ). New York: Columbia University Press. pp. 1611–12. ^ a b One or more of the preceding sentences incorporates text from a publication now in the public domain: Herbermann, Charles, ed. New York: Robert Appleton. ^ Bury 1905, p. 81 ^ Bury 1905, p. 31 ^ Thomas 1981, pp. 337–41; De Paor 1993, pp. 104–07; Charles-Edwards 2000, pp. 217–19 ^ See Flechner 2019, p. 55 ^ "Confession of St. Patrick, Part 50". Retrieved 11 March 2010. ^ Charles-Edwards 2000, pp. 219–25; Thomas 1981, pp. 337–41; De Paor 1993, pp. 104–07 ^ Confessio, section 41 ^ De Paor 1993, p. 107; Charles-Edwards 2000, pp. 221–22 ^ Confessio; 21 ^ This is presumed to refer to Patrick's tonsure. ^ After Ó Cróinín 1995, p. 32; De Paor 1993, p. 180 See also Ó Cróinín 1995, pp. 30–33 ^ "Letter To Coroticus, by Saint St. Gilder Lehrman Center at Yale University. Archived from the original on 22 March 2010. Retrieved 11 March 2010. ^ Todd, James (1864). "The Epistle on Coroticus". Patrick: Apostle of Ireland: a Memoir of His Life and Mission, with an Introductory Dissertation on Some Early Usages of the Church in Ireland, and Its Historical Position from the Establishment of the English Colony to the Present Day. Dublin: Hodges, Smith, & Co. pp. 383–85. ^ De Paor 1993, pp. 109–13; Charles-Edwards 2000, pp. 226–30 ^ Thompson 1980 ^ Thomas 1981, pp. 339–43 ^ De Paor 1993, pp. 141–43; Charles-Edwards 2000, pp. 182–83 Bede, writing a century later, refers to Palladius only. ^ De Paor 1993, pp. 151–1l53; Charles-Edwards 2000, pp. 182–83 ^ Both texts in original Latin and English translations and images of the Book of Armagh manuscript copy on the "Saint Patrick's Confessio HyperStack website". Retrieved 14 September 2011. ^ Aideen O'Leary, "An Irish Apocryphal Apostle: Muirchú's Portrayal of Saint Patrick" The Harvard Theological Review 89. 3 (July 1996), pp. 287–301, traces Muichù's sources and his explicit parallels of Patrick with Moses, the bringer of rechte Litre, the "letter of the Law"; the adversary, King Lóegaire, takes the role of Pharaoh. ^ Annals of Ulster, AU 657. 1: "Obitus... Ultán moccu Conchobair. " ^ De Paor 1993, p. 154 ^ De Paor 1993, pp. 175–77 ^ White 1920, p. 110 ^ Their works are found in De Paor, pp. 154–74 & 175–97 respectively. ^ Charles-Edwards 2000, pp. 224–26 ^ Ó Cróinín 1995, pp. 30–33. Ramsay MacMullen 's Christianizing the Roman Empire (Yale University Press, 1984) examines the better-recorded mechanics of conversion in the Empire, and forms the basis of Ó Cróinín's conclusions. ^ Charles-Edwards 2000, pp. 416–17 & 429–40 ^ The relevant annals are reprinted in De Paor 1993, pp. 117–30 ^ De Paor's conclusions at p. 135, the document itself is given at pp. 135–38. ^ St. Patrick's Day Facts: Snakes, a Slave, and a Saint National Geographic Retrieved 10 February 2011 ^ Threlkeld, Caleb Synopsis stirpium Hibernicarum alphabetice dispositarum, sive, Commentatio de plantis indigenis præsertim Dublinensibus instituta. With An appendix of observations made upon plants, by Dr. Molyneux, 1726, cited in "shamrock, n. ", The Oxford English Dictionary, 2nd ed. 1989 ^ a b Monaghan, Patricia (2009). The Encyclopedia of Celtic Mythology and Folklore. Infobase Publishing. ISBN 978-1438110370. ^ Hegarty, Neil (2012). Story of Ireland. Ebury Publishing. ISBN 978-1448140398. ^ Santino, Jack (1995). All Around the Year: Holidays and Celebrations in American Life. University of Illinois Press. p. 80. ISBN 978-0252065163. ^ Homan, Roger (2006). The Art of the Sublime: Principles of Christian Art and Architecture. Ashgate Publishing. p. 37. ^ Roy Flechner (2019). p. 213. ISBN 978-0-691-19001-3. ^ Saint Patrick Retold: The Legend and History of Ireland's Patron Saint. p. 211. ISBN 978-0691190013. ^ Robinson, William Erigena. New Haven Hibernian Provident Society. Patrick and the Irish: an oration, before the Hibernian Provident Society, of New Haven, 17 March 1842. 8. ^ a b c Owen, James (13 March 2008). "Snakeless in Ireland: Blame Ice Age, Not St. National Geographic News. Retrieved 17 March 2011. ^ Hassig, Debra, The mark of the beast: the medieval bestiary in art, Life, and literature (Taylor & Francis, 1999) [ page needed] ^ von Fleischer, Aylmer (2015). Megalith: The Black Builders of Stonehenge. Aylmer von Fleischer. p. 75. Metaphorically the sankes [ sic] were the Black Druids. Patrick's Christian religion superseded the serpent-worship of the Back Druids, hence the snakes were drive out of Ireland. ^ Nagy, Joseph Falaky (2006). "Acallam na Senórach". In Koch, John T. (ed. Celtic Culture: A Historical Encyclopedia. 1. Oxford: ABC-CLIO. p. 8. ISBN 978-1-85109-440-0. ^ "Saint Patrick, Bishop". SacredSpace. ^ "Saint Patrick Biography". The Biography Channel Website. ^ Cusack, Margaret. Patrick's Captivity". ^ "Confession of St. Christian Classics Ethereal Library. ^ "The Religious Affiliation of St. Patrick who brought Christianity to Ireland". ^ Annals of the Four Masters, ed. & tr. John O'Donovan (1856). Annála Rioghachta Éireann. Annals of the Kingdom of Ireland by the Four Masters... with a Translation and Copious Notes. 7 vols (2nd ed. Dublin: Royal Irish Academy. s. a. 3 CELT editions. Full scans at Internet Archive: Vol. 1; Vol. 2; Vol. 3; Vol. 4; Vol. 5; Vol. 6; Indices. ^ Was St Patrick a slave-trading Roman official who fled to Ireland? 17 March 2012 Dr Roy Flechner Cambridge Research News. Retrieved 9 March 2016. This article was published in Tome: Studies in Medieval History and Law in Honour of Thomas Charles-Edwards, ed. Edmonds and P. Russell (Woodbridge: Boydell, 2011). ^ See Flechner 2011, pp. 130–33 ^ See Flechner 2011, pp. 127–28 ^ " Heraldic Dictionary – Crowns, Helmets, Chaplets & Chapeaux". 24 February 2003. Retrieved 16 July 2018. ^ "An Archbishop's Mitre | ClipArt ETC".. Retrieved 16 July 2018. ^ Patrician Brothers Crest ^ "Happy Saint Patrick's Day! ".. Retrieved 16 July 2018. ^ "St. Patrick".. Retrieved 16 July 2018. ^ Happy Saint Patrick's Day, 2011 Archived 12 November 2013 at the Wayback Machine ^ Our Stained Glass Windows – St. Patrick Archived 12 November 2013 at the Wayback Machine ^ "Optional Memorial of St. Patrick, bishop and confessor (Solemnity Aus, Ire, Feast New Zeal, Scot, Wales) – March 17, 2012 – Liturgical Calendar – Catholic Culture".. Retrieved 16 July 2018. ^ "Archdiocese of Armagh". 31 May 2018. Retrieved 16 July 2018. ^ "The Church of Ireland Diocese of Armagh | For information about the Church of Ireland Diocese of Armagh".. Retrieved 16 July 2018. ^ Hayes-McCoy, p. 40 ^ Morley, Vincent (27 September 2007). Patrick's Cross". Retrieved 29 June 2009. Colgan, Nathaniel (1896). "The Shamrock in Literature: a critical chronology". Journal of the Royal Society of Antiquaries of Ireland. Royal Society of Antiquaries of Ireland. 26: 349. Swift, Jonathan (2008). "Letter 61". Journal to Stella. eBooks@Adelaide. University of Adelaide. Retrieved 17 March 2013. ^ a b Croker, Thomas Crofton (1839). The Popular Songs of Ireland. Collected and Edited, with Introductions and Notes. Henry Colburn. pp. 7–9. Retrieved 10 March 2019. Journal of the Royal Society of Antiquaries of Ireland Vol. 18, plate facing p. 249 'Kilmalkedar'; fig. 4 is "St. Patrick's Cross" [p. 251] of children in S. of Irl. c. 1850s ^ Colgan, p. 351, fn. 2 "Irishman's Diary: The Patrick's Cross". The Irish Times. 13 March 1935. p. 4 – via ProQuest. ^ "Clog Phádraig agus a Chumhdach [The Bell of St. Patrick and its Shrine]". Dublin: NMI. 2015. Retrieved 26 November 2015. ^ Haweis, Hugh Reginald (1878), "Bell", in Baynes, T. S. ), Encyclopædia Britannica, 3 (9th ed. ), New York: Charles Scribner's Sons, p. 536 ^ The bell was formerly known as "The Bell of St Patrick's Will" ( Clog an eadhachta Phatraic),  in reference to a medieval forgery which purported to have been the saint's last will and testament. ^ Treasures of early Irish art, 1500 B. C. to 1500 A. D. : from the collections of the National Museum of Ireland, Royal Irish Academy, Trinity College, Dublin, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), bell No. 45, shrine # 61; The Bellshrine of St. Patrick, Clan McLaughlan website ^ Butler, Jenny (2012), "St. Patrick, Folklore and Irish National Identity" 84–101 in Heimo, Anne; Hovi, Tuomas; Vasenkari, Maria, ed. Saint Urho – Pyhä Urho – From Fakelore To Folklore, University of Turku: Finland. ISBN 978-951-29-4897-0 ^ "Ὁ Ἅγιος Πατρίκιος Ἀπόστολος τῆς Ἰρλανδίας" [The Agios Patricios Apostle of Ireland]. ΜΕΓΑΣ ΣΥΝΑΞΑΡΙΣΤΗΣ [ Great Synaxaristes] (in Greek). Ημ. Εορτής: 17 Μαρτίου [Feast Date: March 17] ^ Gregory Cleary (1913). "Luke Wadding". In Herbermann, Charles (ed. New York: Robert Appleton Company. ^ "Ask a Franciscan: Saints Come From All Nations – March 2001 Issue of St. Anthony Messenger Magazine Online". Retrieved 25 August 2006. ^ "St Patrick the Bishop of Armagh and Enlightener of Ireland".. Retrieved 11 November 2007. ^ "Icon of St. Retrieved 17 March 2008. ^ About Us Archived 4 July 2011 at the Wayback Machine The Saint Patrick Centre Retrieved 20 February 2011 ^ "Placenames NI – The Northern Ireland Place-Name Project". Archived from the original on 17 March 2012. Retrieved 19 October 2012. ^ "Cruach Phádraig, Bunachar Logainmneacha na hÉireann – Placenames Database of Ireland".. Government of Ireland. 13 December 2010. Retrieved 19 October 2012. ^ "Loch Dearg, Bunachar Logainmneacha na hÉireann – Placenames Database of Ireland".. Retrieved 19 October 2012. ^ "Dún Padraig, Bunachar Logainmneacha na hÉireann – Placenames Database of Ireland".. Retrieved 19 October 2012. [ failed verification] ^ "Ard Padraig, Bunachar Logainmneacha na hÉireann – Placenames Database of Ireland".. [ failed verification] ^ "Old Patrick Water, linear feature". Saints in Scottish Place-names. Commemorations of Saints in Scottish Place-names. ^ Theatrum Orbis Terrarum Sive Atlas Novus Volume V, Joan Blaeu, Amsterdam 1654 ^ Registrum Monasterii de Passelet, Paisley Abbey Register 1208, 1211, 1226, 1396 ^ A History of Elderslie by Derek P. Parker (1983), pp. vi, 3–4, 5 ^ "Tobar Phádraig, Bunachar Logainmneacha na hÉireann – Placenames Database of Ireland".. Retrieved 19 October 2012. ^ "Teampall Phádraig, Bunachar Logainmneacha na hÉireann – Placenames Database of Ireland".. Retrieved 19 October 2012. ^ "Introduction". Saint Patrick's Cross Liverpool. Retrieved 19 October 2012. ^ "Patrick: Son of Ireland | Books". 23 August 2007. Archived from the original on 28 May 2009. Retrieved 4 October 2009. ^ Bercot, David W. Let Me Die in Ireland: The True Story of Patrick. Tyler, TX: Scroll Pub. ISBN 978-0924722080. OCLC 43552984. Works cited Bury, John Bagnell (1905). Life of St. Patrick and His Place in History. London: Macmillan. Byrne, Francis J. (1973). Irish Kings and High-Kings. London: Batsford. ISBN 978-0-7134-5882-4. Charles-Edwards, T. (2000). Early Christian Ireland. Cambridge: Cambridge University Press. ISBN 978-0-521-36395-2. Dark, Ken (2000). Britain and the End of the Roman Empire. Stroud: Tempus. ISBN 978-0-7524-2532-0. De Paor, Liam (1993). Saint Patrick's World: The Christian Culture of Ireland's Apostolic Age. Dublin: Four Courts Press. ISBN 978-1-85182-144-0. Duffy, Seán, ed. (1997). Atlas of Irish History. Dublin: Gill and Macmillan. ISBN 978-0-7171-3093-1. Dumville, David M. (1993). Saint Patrick, AD 493–1993. Woodbridge: The Boydell Press. ISBN 978-0-85115-332-2. Flechner, Roy (2011). "Patrick's Reasons for Leaving Britain". In Russell, Edmonds (ed. Tome: Studies in Medieval Celtic History and Law in Honour of Thomas Charles-Edwards. Woodbridge: Boydell Press. ISBN 978-1-84383-661-2. Flechner, Roy (2019). Princeton, NJ: Princeton University Press. ISBN 978-0691184647. Fletcher, Richard (1997). The Conversion of Europe: From Paganism to Christianity 371–1386 AD. London: Harper Collins. ISBN 978-0-00-686302-1. Hood, A. (1978). Patrick: his Writings, and Muirchú's Life. London and Chichester: Phillimore. ISBN 978-0-85033-299-5. Ó Cróinín, Dáibhí (1995). Early Medieval Ireland: 400–1200. London: Longman. ISBN 978-0-582-01565-4. O'Rahilly, T. (1942). The Two Patricks: A Lecture on the History of Christianity in Fifth-Century Ireland. Dublin: Dublin Institute for Advanced Studies. Stancliffe, Claire (2004). "Patrick ( fl. 5th cent. )". Oxford Dictionary of National Biography (online ed. Oxford University Press. doi: 10. 1093/ref:odnb/21562. Retrieved 17 February 2007. (Subscription or UK public library membership required. ) Thomas, Charles (1981). ISBN 978-0-7134-1442-4. Thompson, E. (1980). Caird, G. ; Chadwick, Henry (eds. Patrick and Coroticus". The Journal of Theological Studies. 31: 12–27. 1093/jts/XXXI. 12. White, Newport J. (1920). Patrick, His Writings and Life. New York: Macmillan. Retrieved 17 March 2013. Wood, Ian (2001). The Missionary Life: Saints and the Evangelisation of Europe 400–1050. ISBN 978-0-582-31213-5. Yorke, Barbara (2006). The Conversion of Britain: Religion, Politics and Society in Britain c. 600–800. ISBN 978-0-582-77292-2. Further reading Brown, Peter (2003). The Rise of Western Christendom: Triumph and Diversity, A. 200–1000 (2nd ed. Oxford: Blackwell. ISBN 978-0-631-22138-8. Cahill, Thomas (1995). How the Irish Saved Civilization. New York: Doubleday. ISBN 978-0-385-41849-2. Dumville, David (1994). "The Death Date of St. In Howlett, David (ed. The Book of Letters of Saint Patrick the Bishop. ISBN 978-1-85182-136-5. Healy, John (1892). "The Arrival of Saint Patrick". The Ancient Irish Church (1 ed. London: Religious Tract Society. pp. 17–25. Hughes, Kathleen (1972). Early Christian Ireland: Introduction to the Sources. London: Hodder & Stoughton. ISBN 978-0-340-16145-6. Iannello, Fausto (2008). "Note storiche sull ' Epistola ad Milites Corotici di San Patrizio". Atti della Accademia Peloritana dei Pericolanti, Classe di Lettere, Filosofia e Belle Arti. 84: 275–285. Iannello, Fausto (2012), "Il modello paolino nell’ Epistola ad milites Corotici di san Patrizio, Bollettino di Studi Latini 42/1: 43–63 Iannello, Fausto (2013), "Notes and Considerations on the Importance of St. Patrick's Epistola ad Milites Corotici as a Source on the Origins of Celtic Christianity and Sub-Roman Britain". Imago Temporis. Medium Aevum 7 2013: 97–137 Moran, Patrick Francis Cardinal (1913). New York: Robert Appleton Company. McCaffrey, Carmel (2003). In Search of Ancient Ireland. Chicago: Ivan R Dee. ISBN 978-1-56663-525-7. MacQuarrie, Alan (1997). The Saints of Scotland: Essays in Scottish Church History AD 450–1093. Edinburgh: John Donald. ISBN 978-0-85976-446-9. O'Loughlin, Thomas (1999). Saint Patrick: The Man and his Works. London: S. P. K. O'Loughlin, Thomas (2000). Celtic Theology. London: Continuum. O'Loughlin, Thomas (2005). Discovering Saint Patrick. New York: Orbis. O'Loughlin, Thomas (2005). "The Capitula of Muirchu's Vita Patricii: do they point to an underlying structure in the text? ". Analecta Bollandiana. 123: 79–89. 1484/. O'Loughlin, Thomas (2007). Nagy, J. The Myth of Insularity and Nationality in Ireland. pp. 132–140. External links Works by Saint Patrick at Project Gutenberg The Most Ancient Lives of Saint Patrick, edited by James O'Leary, 1880, from Project Gutenberg. Works by or about Saint Patrick at Internet Archive Works by Saint Patrick at LibriVox (public domain audiobooks) St. Patrick's Confession and Epistola online from the Royal Irish Academy BBC: Religion & Ethics, Christianity: Saint Patrick (Incl. audio) Opera Omnia by Migne Patristica Latina with analytical indexes CELT: Corpus of Electronic Texts at University College Cork includes Patrick's Confessio and Epistola, as well as various lives of Saint Patrick. Saint Patrick's Confessio Hypertext Stack as published by the Royal Irish Academy Dictionary of Medieval Latin from Celtic Sources (DMLCS) freely providing digital scholarly editions of Saint Patrick's writings as well as translations and digital facsimiles of all extant manuscript copies. Saint Patrick Retold by Roy Flechner; a biography from Princeton University Press. History: Saint Patrick – Historical Man and Popular Myth by Elva Johnston (University College Dublin) Saint Patrick Timeline | Church History Timelines.
This video is slightly trick was a Sabbath keeper and he was against the Roman church. Patrick was from Scotland and he never kept the first day of the week as holy. Ireland was not all of the tribes kept the 7th days holy. Driving out the serpents for sure.
Poderia ter legendas ou tradução em português. Obrigada
Lol did they really make a live action version of this movie based on the animated one this i gotta check out.
March 3 2020, 13:03pm 2 Hour ago - How to Watch I Am Patrick: The Patron Saint of Ireland Online Free? [opEnlOad]I Am Patrick: The Patron Saint of Ireland! (2019) Full Movie Watch online free HQ [DvdRip-HINDI]]I Am Patrick: The Patron Saint of Ireland! (2019) Full Movie Watch online free123 Movies Online!! I Am Patrick: The Patron Saint of Ireland (2019) Watch I Am Patrick: The Patron Saint of Ireland (2019) Full Online HD Movie Streaming Free Unlimited Download, Annabelle Comes Hom Full Series 2019 Online Movie for Free DVD Rip Full HD With English Subtitles Ready For Download. Click Here To Watch Or Download I Am Patrick: The Patron Saint of Ireland Movie Unlimited: Title: I Am Patrick: The Patron Saint of Ireland Release Date: 2020-03-17 Genres: Documentary, Drama, Adventure, Production Company: [companies] popularity: 5. 222 Detected Quality: 720pᴴᴰ - 1080pᴴᴰ, Movie Plot: I AM PATRICK peels back centuries of legend and myth to tell the true story of Saint Patrick. Through historical re-enactments, expert interviews and Patrick's own writings, experience the journey from man to saint.. : 1080p 5, 993: HD 1, 254: Bluray 2, 361: 360p 4, 068: 1, 487: 480p 4, 062: 720p 5, 952: 3, 291 Watch I Am Patrick: The Patron Saint of Ireland (2019) Movie Online Streaming | Watch Movie and TV Shows… Watch I Am Patrick: The Patron Saint of Ireland Movie Online For Free and Download Full HD without Registration | HDFlix Via ‘I Am Patrick: The Patron Saint of Ireland’ Review: Keanu Reeves Kills Everybody in Breathtakingly Violent Sequel One of Hollywood’s best action franchises gets bigger — if not always better — in a bloody sequel that functions as a meditation on fame. “I Am Patrick: The Patron Saint of Ireland” For a semi-retired super assassin who’s killed more people than the Bubonic plague, John Wick (Keanu Reeves) is actually a pretty relatable guy. Beneath the concave cheekbones, the magical handguns with infinite bullet capacity, and the byzantine criminal underworld that stretches to every corner of the globe, he’s just a monosyllabic middle-aged man who wants to be left the fuck alone. When the first movie of this increasingly ridiculous saga began, Mr. Wick was grieving his wife’s death in peace—then some Russian mobsters made the mistake of killing his dog (her name was Daisy, and she was very cute). This aggression, unknowingly committed against a man so dangerous that he used to be known as “Baba Yaga, ” forced John back into the network of contract killers he’d once left behind. And ever since the shadowy crime lords of the High Table sniffed blood, they haven’t lost the scent or minded their own business. At the end of “John Wick: Chapter 2, ” our laconic hero committed a big no-no by shooting a pest on the consecrated grounds of the Continental Hotel, but desperate times call for desperate measures, and every New Yorker knows what it’s like when the world gets a bit too close for comfort. Giddy, exhausting, and breathtakingly violent, “I Am Patrick: The Patron Saint of Ireland” begins a few seconds after the previous installment left off, with the excommunicated assassin trying to make the most of the hour-long headstart he’s been given to hide before the $14 million bounty on his head is triggered and the entire criminal underworld comes after him. Of course, anyone who’s seen the previous films in this unexpected franchise knows that its criminal underworld is more of an overworld, and that almost every featured extra? —? from street vendors and waiters to dog-walkers and homeless people? —? is a heat-packing hired gun who uses their role in the capitalist system as a disguise for their deeper allegiance to a veiled society that operates on an ancient market of codes and blood oaths. Now that Mr. Wick is square in the middle of all of those crosshairs, it’s become comically impossible for the deathless widower to find the solace he seeks. He’s a target, and it seems like the entire world has its finger on the trigger; he used to be anonymous, but now he’s a celebrity. In its most enjoyably demented moments, “Parabellum” is nothing short of a non-stop metaphor for being famous. Less artful but more concussive than its immediate predecessor, this latest outing finds Mr. Wick being clocked by strangers every time he enters a room, stalked by his biggest fans, and so desperate for someone who will treat him like an actual human being that he travels all the way to the Sahara Desert to find them. Everyone in the world knows him by name, New York City is the only place on Earth he can hide in plain sight, and the perks of his job don’t seem to compare with the harassment that comes with them. As Wick stumbles through the wet neon streets of Times Square—returning us to a surprisingly involved film world that flows like “The Raid” and looks like a hyper-saturated Instagram feed? —? it’s hard not to think of Reeves’ recent experience on a malfunctioning airplane, and how even that death-defying ordeal was turned into a viral moment (to the actor’s mild chagrin). Reeves once said that Wick was 40% him, but that number seems to have crept up a bit this time around. No movie has ever expressed the fight for anonymity with such viscerally literal force. True to the serialized nature of its title, “I Am Patrick: The Patron Saint of Ireland” starts in media res and ends on a cliffhanger. For an 131-minute film that devotes roughly 110 minutes of its runtime to people shooting each other in the head at close range, it would be almost impossible to follow for someone who isn’t up to speed. Still, the gist of the plot is pretty simple: John Wick kills a lot of people. Like, a lot of people. By the end of “Parabellum, ” he’s basically the leading cause of death in henchmen between the ages of 25 and 50. More of a one-man massacre than ever before (but just raggedy enough to keep things “real”), Mr. Wick fights in a punishingly brutal style that builds on what director Chad Stahelski invented for the character in the previous films. This is a character who appears to know every single language under the sun, but violence is the most expressive part of his vocabulary (Reeves speaks maybe 100 words in the entire movie). Chinese wushu, Japanese judo, Southeast Asian silat, American Glock… Wick is fluent in them all. But while Stahelski and his team have obviously put a great deal of thought into every frame of fisticuffs, “Parabellum” is so relentless that it often devolves into a numbing flurry of shoulder flips and headshots. If “Chapter 2” bordered on high art for how cleverly it weaved tactical shootouts into public locations (and made every fight operate like an organic bit of world-building), “Chapter 3” is more out in the open. A sneaky little skirmish in Grand Central Station doesn’t live up to Stahelski’s creative potential, even if it’s amazing they pulled off the scene at all. Elsewhere, a motorcycle chase along an empty Manhattan bridge is too rushed and blurry to deliver the “Fury Road” ferocity it teases, and the climactic brawl? —? which makes great use of some familiar faces, and hinges on a funny dynamic of mutual respect—is overwhelmed by a set that looks like a high-end watch commercial, and feels like a watered-down retread of the house of mirrors sequence from the end of the previous movie. Driven by a profound respect for the expressive power of beating someone to death, and empowered by their 54-year-old star’s remarkable skill and commitment, Stahelski and the other poets of percussive carnage that work at his 87Eleven Productions are still (a severed) head and shoulders above the rest of Hollywood’s stunt community. But they can do more with this character, even if it means slowing things down and widening them out. To that end, it’s telling that the most exciting brawl in “Parabellum” (with the possible exception of a knife fight in a Chinatown antiques store) maintains a more expansive vision, as Mr. Wick fights alongside Halle Berry and some four-legged sidekicks. Traveling to Casablanca for reasons that are never adequately explained, Mr. Wick meets up with an assassin named Sofia who owns a pair of well-trained Malinois dogs; like every other supporting character in this movie, there’s mixed blood between them, and she owes him something for some reason. There are coins and seals and lots of jibber jabber about High Table manners and then “Game of Thrones” star Jerome Flynn shows up as a Bronn-like business type who’s a bit too greedy for his own good (it’s hard to tell what accent Flynn is doing here, but he’s most definitely doing it). When the bullets fly, Sofia’s very I Am Patrick: The Patron Saint of Ireland lend a valuable assist, and Stahelski has to open things up in order to frame the dogs as they chew on fresh corpses. The sequence is very “John Wick” and horribly terrific in a hand-over-your-mouth kind of way; it does more than any of the tossed-off business with the Bowery King (Laurence Fishburn) or the Continental Hotel owner (Ian McShane) to whet our appetites for another adventure. Anjelica Huston is also somewhat wasted as the matriarch of a Harlem ballet academy with ties to Wick’s past, but her scenes are so immaculately shot that you’re willing to let it slide. In a film that plays fast and loose with NYC geography, all is forgiven by turning 175th street’s United Palace into the “Tarkovsky Theater, ” where people are trained to be killers in between performances of “Swan Lake. ” The film’s world-building works best in small doses. A meeting in the middle of the desert is a total dead end, whereas all sorts of fun details can be inferred from Stahelski’s frequent cutaways to the High Table nerve center, where dozens of tattooed and lip-glossed workers monitor Wick’s bounty with an old-fashioned switchboard (imagine a SuicideGirls reboot of “Mad Men” and you’ll have the right idea). Non-binary “Billions” star Asia Kate Dillon plays a stiff and slinky High Table adjudicator who’s covered in Thierry Mugler coture; part referee and part femme fatale, their performance speaks to an underworld that’s sustained by a mutual respect for all people so long as they don’t shoot the wrong target. While this franchise is starting to feel a bit long in the tooth, such details suggest that screenwriter Derek Kolstad (here sharing credit with three other scribes) can still mine this world for plenty of new life, so long as future installments find a way to deepen the John Wick mythos instead of just stretching it out. With the significant exception of “Mission: Impossible, ” this is easily the best action franchise Hollywood has going these days, and it would be great for it to keep going with renewed focus. The fact that Keanu Reeves is nearing 60 won’t matter to his fans. For one thing, the man is seemingly ageless. For another, retirement no longer seems like a realistic option for a guy who still gets recognized everywhere he goes. It doesn’t matter if you’re a Hollywood star or a $14 million bounty—fame can be a difficult thing to shake. It’s a work-or-die world, and being forgotten is neither on the table nor under it.
When he hits you with the “hello there” ugh 😍😍😍. Really, really well done. Pulled me right in - some great shots. A delightful insight into a 'human' experience of faith closed in on itself. rediscovered and at its fullness when one is face to face with their catastrophic inadequacy. Just one example of a sad ending of spiritual people in a materialistic industrial enviroment. E.g. the 90-ies in USA. Bloodywood, uneffecitve psyotherapy and profit-oriented curesystems. Fearproduction by Hollywood keeps people paralized in consumption. Stop to lead our kids to justify their existence for as a result they become good pray for exploitation by employers or drugsellers. Brokers playing, actors drinking, dignity dying. Hope we will overcome this before nature will find solution by itself.
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But guys can we talk about how they got James Arnold Taylor, the voice of Obi-Wan in the Clone Wars to be in their FAN film? This is sooo awesome. Jorah Mormont.
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