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Tiffany Haddish runtime: 83 Minute country: USA genres: Comedy Like a Boss is a movie starring Rose Byrne, Tiffany Haddish, and Salma Hayek. Two friends with very different ideals start a beauty company together. One is more practical while the other wants to earn her fortune and live a lavish Year: 2020.

Like a Boss Theatrical release poster Directed by Miguel Arteta Produced by Marc Evans Peter Principato Itay Reiss Joel Zadak Screenplay by Sam Pitman Adam Cole-Kelly Story by Danielle Sanchez-Witzel Starring Tiffany Haddish Rose Byrne Jennifer Coolidge Natasha Rothwell Billy Porter Salma Hayek Music by Christophe Beck Jake Monaco Cinematography Jas Shelton Edited by Jay Deuby Production company Artists First Distributed by Paramount Pictures Release date January 10, 2020 (US) Running time 83 minutes Country United States Language English Budget 29 million [1] Box office 24. 4 million [1] 2] Like a Boss is a 2020 American comedy film directed by Miguel Arteta, written by Sam Pitman and Adam Cole-Kelly, and starring Tiffany Haddish, Rose Byrne, Jennifer Coolidge, Natasha Rothwell, Billy Porter, and Salma Hayek. The plot follows two friends who attempt to take control of their cosmetics company back from an industry titan. The film was released on January 10, 2020, by Paramount Pictures. It received negative reviews from critics and has grossed 24 million. Premise [ edit] Two friends with very different personalities run their own beauty company, Mel & Mia's, though one is more practical, while the other wants to earn her fortune quickly and live a lavish lifestyle. Things take a turn for the worse when their company runs into debt, forcing them to turn to an unscrupulous benefactor who intends to steal the business out from under them. The two must address their differences to save their business. Cast [ edit] Tiffany Haddish as Mia Carter, a co-owner of Mel & Mia's, with a brash personality. Rose Byrne as Mel Paige, a co-owner of Mel & Mia's, who is more business-savvy, but lacks the confidence of her partner. Salma Hayek as Claire Luna, a cosmetics mogul who obtains a controlling share of Mel & Mia's while bailing out the owners. She plans to steal their innovative new product ideas for herself. Jennifer Coolidge as Sydney, Mel and Mia's co-worker Billy Porter as Barrett, Mel and Mia's employee Ari Graynor as Angela, Mel and Mia's friend Natasha Rothwell as Jill, Mel and Mia's friend Jessica St. Clair as Kim, Mel and Mia's friend Karan Soni as Josh Tinker, Claire's right-hand man Jacob Latimore as Harry Jimmy O. Yang as Ron Ryan Hansen as Greg Seth Rollins as Byron Veronica Merrell as Lola Vanessa Merrell as Layla Caroline Arapoglou as Brook Lisa Kudrow as Shay Production [ edit] On October 23, 2017, it was announced that Paramount Pictures had bought a female-centered comedy spec, Limited Partners, specifically as a starring role for Tiffany Haddish. The film was written by Sam Pitman & Adam Cole-Kelly, from a story by the two, and Danielle Sanchez-Witzel, and was produced by Peter Principato, Itay Reiss, and Joel Zadak through their Principato-Young Entertainment (now known as Artists First. 3] In July 2018, Paramount set Miguel Arteta as director. [4] Later the same month, Rose Byrne was cast as the film's other lead. [5] In September 2018, Salma Hayek was added to play the villain. [6] In October 2018, Ari Graynor, Jacob Latimore, Karan Soni, Jimmy O. Yang, Natasha Rothwell, Jessica St. Clair and Billy Porter also joined the cast of the film. [7] Principal photography on the film began in October 2018. [6] In July 2019, the film was re-titled Like a Boss. [8] Release [ edit] Like a Boss was released on January 10, 2020 by Paramount Pictures. [9] It was previously scheduled for June 28, 2019. [10] Reception [ edit] Box office [ edit] As of February 2, 2020, Like a Boss has grossed 21. 6 million in the United States and Canada, and 2. 9 million in other territories, for a worldwide total of 24. 4 million. [1] 2] In the United States and Canada, the film was released alongside Underwater and the expansions of Just Mercy and 1917, and was projected to gross 10–12 million from 3, 078 theaters in its opening weekend. [11] The film made 3. 9 million on its first day of release, including 1 million from Thursday night previews. It went on to debut to 10 million, finishing fifth at the box office. [12] Critical response [ edit] On review aggregator website Rotten Tomatoes, the film holds an approval rating of 21% based on 107 reviews, with an average rating of 4. 15/10. The site's critics consensus reads. Like a Boss oversees a merger of powerful comedic talents, but the end results are likely to leave audience members feeling swindled out of their investments. 13] On Metacritic, the film has a weighted average score of 32 out of 100 based on 28 critics, indicating "generally unfavorable reviews. 14] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale, and PostTrak reported it received an average 3 out of 5 stars from viewers. [12] Rolling Stone s Peter Travers gave the film 1 out of 5 stars and wrote, What we have here is a comedy on life support, with Haddish and Byrne valiantly performing futile acts of resuscitation. Sorry to report: The patient died. 15] References [ edit] a b c "Like a Boss (2020. Box Office Mojo. IMDb. Retrieved February 2, 2020. ^ a b "Like a Boss (2020. The Numbers. Retrieved February 2, 2020. ^ Jr, Mike Fleming (October 23, 2017. Paramount Lands Pitch Vehicle For 'Girls Trip' Breakout Tiffany Haddish. Deadline. Retrieved July 18, 2018. ^ Jr, Mike Fleming (July 9, 2018. Paramount Wins Scrum For Tiffany Haddish; Miguel Arteta To Direct Her In 'Limited Partners. Retrieved July 18, 2018. ^ Kit, Borys (July 16, 2018. Rose Byrne in Talks to Join Tiffany Haddish in 'Limited Partners' Exclusive. The Hollywood Reporter. Retrieved July 18, 2018. ^ a b Vlessing, Etan (September 28, 2018. Salma Hayek Joins Tiffany Haddish in Paramount Comedy 'Limited Partners. Retrieved October 13, 2018. ^ Kroll, Justin (October 18, 2018. Tiffany Haddish's 'Limited Partners' Rounds Out Cast (EXCLUSIVE. Variety. Retrieved October 18, 2018. ^ Pederson, Erik (July 31, 2019. Paramount Retitles Tiffany Haddish-Rose Byrne Buddy Comedy; Release Date Holds – Update. Deadline Hollywood. Retrieved July 31, 2019. ^ Pederson, Erik (March 15, 2019. Paramount Moves 'Limited Partners' To 2020 & Dates 'The Tiger's Apprentice' Toon. Retrieved March 17, 2019. ^ Galuppo, Mia (May 23, 2018. Paramount Removes 'Transformers 7' From Calendar, Dates 'Rocketman. Retrieved July 18, 2018. ^ D'Alessandro, Anthony (January 6, 2020. 1917' Advance Ticket Sales Already Fired Up From Golden Globe Wins As Sam Mendes Pic Sees 25M Opening. Retrieved January 7, 2020. ^ a b D'Alessandro, Anthony (January 12, 2020. 1917' Strong With 36M+ But 'Like A Boss. Just Mercy' Fighting Over 4th With 10M; Why Kristen Stewart's 'Underwater' Went Kerplunk With 6M. Retrieved January 12, 2020. ^ Like a Boss (2020. Rotten Tomatoes. Fandango. Retrieved January 23, 2020. ^ Like a Boss Reviews. Metacritic. CBS Interactive. Retrieved January 11, 2020. ^ Travers, Peter (January 9, 2020. Like a Boss' Whoever Made This Inane Comedy Should Be Fired. Rolling Stone. Retrieved January 9, 2020. External links [ edit] Like a Boss on IMDb.

3:22 omfg. Watch Stream Like à bois et pellets. Watch Stream Like a boss. Watch stream like a boss girl. Alguien me dice la música de minuto 10:08 porfa. Watch stream like a boss online. 8:00 that was funny 😂. Rose Byrne and Tiffany Haddish play business partners threatened by a cosmetics titan (Salma Hayek) in Miguel Arteta's comedy. Two besties who have always been able to mix business and friendship finally see their bond threatened in Miguel Arteta's Like a Boss, a lightweight but often likeable comedy setting the unexpectedly well-matched Rose Byrne and Tiffany Haddish up against a brassy Salma Hayek. Having earned some praise for her performance in Arteta's Beatriz at Dinner, Hayek is a letdown here, steered toward broad villainy and cartoonish physicality that exist in a world apart from the credible sharpness of her co-stars. Quite funny for much of its running time, the film feels like it simply runs out of steam in its third act, settling for a lazy, pandering resolution and seeming happy to have made it to the 83-minute finish line. Those who have marveled at Haddish and Byrne in some of their previous supporting roles are left waiting for each to get a bona-fide starring vehicle, but this team-up gives each more room to shine than usual. Mia (Haddish) and Mel (Byrne) have been inseparable since middle school, the latter being taken in by Mia's family when her mother ran afoul of the law. Now housemates, they run a small but well-liked cosmetics shop that bears their names. They mix their own formulas, package them into gimmicky gift packs like a "One-Night Stand Kit" a hit, we're told) and employ two of the kind of colorful characters typically seen only in rom-coms: Haughty Barrett, played to the hilt by Emmy-winning  Pose star Billy Porter; and Jennifer Coolidge's Sydney, whose dialogue strains for the kind of outrageous cluelessness Coolidge has specialized in for 20 years. Mia's the creative one; Mel keeps the books in order. Or tries to: She's been protecting Mia from the knowledge that their business is nearly half a million dollars in debt, and something needs to change soon. Enter Josh (Karan Soni) the snippy yes-man to makeup magnate Claire Luna (Hayek. Josh summons the partners to a meeting, where Luna offers to pay all their debts in return for a 51 percent stake in the business. When Mia balks at selling what the two have built, they settle on a compromise: Luna will take 49 percent, only getting a majority in the unlikely event — how could such a thing ever happen? — that Mia and Mel end their partnership. Before the women are even in the parking lot, the viperish Luna is plotting ways to make them hate each other. She does that by wowing Mel with her business acumen (Mia couldn't be less impressed) and forcing the partners to doubt their values. When M&M come up with a new line whose marketing will revolve around supportive friendships and inner beauty, Luna insists they focus on what their industry is really about: Inspire the ugly people to buy their way into gorgeousness. By way of example, she introduces two men whose own line of products — named "Get Some" — are so baldly misogynistic they can hardly even be useful as satire. Given her success in her field, Luna has an odd approach to her own appearance. Especially in her first scene, the contrast between skin coloring, dyed hair and orange dress screams out for a makeover. (In one of Sydney's good lines, she disses her as "the angry carrot. But she's excellent at sowing discord, and soon the friends are on edge. Unfortunately, everyone involved seems to understand that this movie only crackles when Haddish and Byrne are feeding off each other's energy — even when that means that Mia is coolly trying to push the women past an obstacle that Mel, trying hard to please everyone, doesn't yet see. So Boss truncates the conflict: We get one extended bit of physical comedy in which Mel sabotages Mia, followed by a scene in which they publicly blow up at each other. Once they've called it quits on their relationship, the movie blazes through a trio of mini-scenes in which friends urge them to reconsider. Few rom-coms have ever been this eager to push their stars back together, and it happens here with no friction at all. The less said about the sequence in which they publicly go up against Claire Luna, the better. It's implausible in just about every respect, down to the new product they introduce at a gala Luna hosts. Their invention doesn't seem like the stroke of genius the pic suggests it is, as it doesn't look at all conducive to the way women actually use cosmetics. Not being a makeup consumer, I can't say that with authority, and neither, I suspect, can screenwriters Adam Cole-Kelly and Sam Pitman. But Byrne and Haddish sell it like believers, and the movie immediately leaps forward to imagine a future for the characters in which "like a boss" means something other than "like an arrogant tool of the system, bending others to your will. " Production companies: Artists First, Paramount Pictures Distributor: Paramount Cast: Rose Byrne, Tiffany Haddish, Salma Hayek, Billy Porter, Jennifer Coolidge, Ari Graynor, Karan Soni Director: Miguel Arteta Screenwriters: Sam Pitman, Adam Cole-Kelly Producers: Marc Evans, Peter Principato, Itay Reiss, Joel Zadak Executive producers: Tiffany Haddish, Nicolas Stern Director of photography: Jas Shelton Production designer: Theresa Guleserian Costume designer: Sekinah Brown Editor: Jay Deuby Composer: Christophe Beck Casting directors: Allison Jones, Kris Redding Rated R, 83 minutes.

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Watch stream like a boss live. Critics Consensus Like a Boss oversees a merger of powerful comedic talents, but the end results are likely to leave audience members feeling swindled out of their investments. 20% TOMATOMETER Total Count: 117 65% Audience Score Verified Ratings: 3, 193 Like a Boss Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. Like a Boss Videos Photos Movie Info Best friends Mia and Mel (Tiffany Haddish and Rose Byrne) are living their best lives running their own cosmetics company they've built from the ground up. Unfortunately, they're in over their heads financially, and the prospect of a big buyout offer from a notorious titan of the cosmetics industry Claire Luna (Salma Hayek) proves too tempting to pass up, putting Mel and Mia's lifelong friendship in jeopardy. The beauty business is about to get ugly. Rating: R (for language, crude sexual material, and drug use) Genre: Directed By: Written By: In Theaters: Jan 10, 2020 wide Runtime: 83 minutes Studio: Paramount Pictures Cast News & Interviews for Like a Boss Critic Reviews for Like a Boss Audience Reviews for Like a Boss Like a Boss Quotes News & Features.

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Watch stream like a boss baby. Watch Stream Like à ossature. 2:00 song name please. One of Hollywood's most dazzling leading actresses, Salma Hayek was born on September 2, 1966, in the oil boomtown of Coatzacoalcos, Mexico. Hayek has freely admitted that she and her brother, Sami, were spoiled rotten by her well-to-do businessman father, Sami Hayek Dominguez, and her opera-singing mother, Diana Jiménez Medina. Her father is of Lebanese descent and her mother is of Mexican/Spanish ancestry. After having seen Willy Wonka & the Chocolate Factory (1971) in a local movie theatre, Salma decided she wanted to become an actress. At 12, she was sent to the Academy of the Sacred Heart in New Orleans, Louisiana, where she pulled pranks on the nuns by setting their clocks back three hours. She was soon expelled. Only after attending Mexico City's Universidad Iberoamericana did she feel ready to pursue acting seriously. She soon landed the title role in Teresa (1989) a hugely successful soap opera which earned her the star status in her native Mexico. However, anxious to make films and to explore her talent and passion, Hayek left both Teresa (1989) and Mexico in 1991. Heartbroken fans spread rumors that she was having a secret affair with Mexico's president and left to escape his wife's wrath. At long last, Salma made her way to Los Angeles. The 24 year old actress approached Hollywood with naïve enthusiasm, and quickly learned that Latin actresses were, if at all, typecast as the mistress maid or local prostitute. By late 1992, Hayek had landed only bit parts. She appeared on Street Justice (1991) The Sinbad Show (1993) Nurses (1991) and as a sexy maid on the HBO series Dream On (1990. She also had one line in the Allison Anders film Mi vida loca (1993. Feeling under-appreciated by Anglo filmmakers, Hayek vented her frustrations on comedian Paul Rodriguez's late-night Spanish-language talk show in 1992. Robert Rodriguez and his producer wife Elizabeth Avellan happened to be watching and were immediately smitten with the intelligent, opinionated young woman. He soon gave her her big break- to star opposite Antonio Banderas in the now cult classic Desperado (1995) which put her on Hollywood's map. The moviegoers proved to be as dazzled with Hayek as he had been. After her break, she was cast again by Rodriguez to star in his From Dusk Till Dawn (1996. Although her vampy role opposite George Clooney and Quentin Tarantino was a small one, it was a good credit to her box office name. Hayek's first star billing came later that year with Fools Rush In (1997) opposite Friends (1994) actor Matthew Perry. The film was a modest hit, and Hayek continued to rise her star in both commercial and artistic films such as: Breaking Up (1997) with an unknown Russell Crowe; 54 (1998) about the rise and fall of the legendary New York club; Dogma (1999) playing the muse in a somewhat odd comedy co-starring Matt Damon and Chris Rock; In the Time of the Butterflies (2001) the small artistic film which won Hayek an ALMA award as best actress; and the 1999 summer blockbuster Wild Wild West (1999. Her production company "Ventanarosa" produced the 1999 Mexican feature film No One Writes to the Colonel (1999) which was shown at the Cannes Film Festival and selected as Mexico's official Oscar entry for best foreign film. The new millennium started out quietly around Salma as she was preparing to produce and star in her dream role, that of Frida Kahlo, the legendary Mexican painter whom Salma had been admiring her entire life and whose story she wanted to bring to the big screen ever since her arrival in Hollywood. It finally happened in 2002. Frida (2002) co-produced by Hayek, was a beautifully made film overflowing with passion and enthusiasm, with terrific performances from Salma and Alfred Molina as Kahlo's cheating husband "Diego Rivera. On the side was an entourage of stars including Antonio Banderas, Ashley Judd, Geoffrey Rush, Edward Norton and Valeria Golino. The picture was a hit and was nominated for six Oscars, including best actress for Hayek, and won the awards for make-up and its brilliant original score by Elliot Goldenthal. Hayek established herself as the serious actress that she is and, in the same year, expanded her horizons, directing The Maldonado Miracle (2003) which was shown at the Sundance Film festival. In 2003, she starred in the final of Rodriguez's "Desperado" trilogy Once Upon a Time in Mexico (2003) again opposite Banderas, and has just finished After the Sunset (2004) opposite Pierce Brosnan and Ask the Dust (2006) opposite Colin Farrell. Both are scheduled for release in early 2005. In the works are Robert Altman's "Paint" and Bandidas (2006) in which she will star with her friend Penélope Cruz. More.

Watch stream like a boss trailer. Watch stream like a boss cast. Watch stream like a boss 2. Watch stream like a boss season. Watch Stream Like à bois. Watch stream like a boss youtube. Movies, ‘Like a Boss Review: Tiffany & Roses Very Unfortunate Adventure No, just no. Credit. Eli Joshua Ade/Paramount Pictures The signs were as loud as klaxon horns, warning us that “Like a Boss” would be a stinker: the January release date, the shoddy poster, the dubious conceit (the beauty business is, uh, ugly. The director Miguel Arteta made his name with indie movies like “Star Maps” and has fared well with more mainstream fare like the affable comedy “Cedar Rapids. ” But he needs a solid narrative frame that can support his quiet strengths, notably the ability to make a roomful of actors feel as real as your friends. Too bad that theres nothing human or funny about “Like a Boss, ” and little that seems written (rather than desperately spitballed) although at least Billy Porter gets a few minutes to show that he can snap even a dud briefly to life. Once he exits its back to grim business in a story about two longtime besties, Mia and Mel — the unpersuasively matched Tiffany Haddish and Rose Byrne — who live, work and party as one. They brush their teeth in side-by-side sinks, drive to work in a beater, puff-puff-pass and enjoy the occasional hookups, though never, ahem, with each other. The story wobbles into existence when Mia and Mel sell a stake in their struggling artisanal makeup company to Claire Luna (Salma Hayek) a mercenary beauty titan whose company seems to be located in a vast mall peopled by zombies. (I wish. Claire enters breasts first with an ugly dye job, ridiculously tottering heels and evil schemes, twirling a golf club (the better to totter threateningly) and trailed by a toadyish assistant (Karan Soni. Shes a cartoon of a female boss that suggests, once again, that the men running the movie industry are seriously not down with ladies having a say. Hayek is playing a noxious stereotype in a movie that gleefully exploits stereotypes. Like some of the other unfunny female-driven comedies, this one tries to turn raunch into hilarity, yucks into yuks, but its hard to laugh when a movie treats women with contempt. A novelty cake of a babys head emerging from a bloody vaginal opening sums up the juvenile humor; almost as egregious is a bit built around Claires pronunciation of “fierce. ” Making fun of accents is chancy, but what makes this scene grate is that — like much of this movie — the humor is located in identity. “Like a Boss” mocks her accent and turns her looks into a spectacle, reducing her threat and power. Its a bummer to see all this talent so badly abused. Its especially disappointing given that the last movie Arteta directed Hayek in was “ Beatriz at Dinner ” (2017) a fierce political comedy about haves and have-nots written by Mike White, who, sadly, is M. I. A. here. Theres no comparable sense of ethics or political awareness in “Like a Boss, ” which peddles toothless sisterhood while operating from the premise that theres something inherently funny about women cursing, having sex and getting stoned, you know, acting like (stereotyped) dudes. The reality that women are as human as men — have the same complexities, habits and feels — seems beyond this crew. Its always hard to know who to blame for a mess like this, though everyone deserves some, including the writers Sam Pitman and Adam Cole-Kelly. Throw in the executives who bought the pitch in an auction and then motored ahead, and the handlers who persuaded Haddish, Hayek and Byrne to join in. Actors make lousy choices all the time and if “Like a Boss” makes money no one will care that its formulaic, unfunny, choppy, insults women and seems to be missing much of its middle. Money is the great leveler in the industry, absolving all sins, including creative ones. In the end, the funniest thing here is the name of the production company, Artists First. Its also the saddest. Like a Boss Rated R for cursing and booty calls, blah blah blah. Running time: 1 hour 23 minutes.


Watch Stream Like a boss rick. What even is this thing? Photo: Paramount Pictures Big studio comedies have been having a rough go of things over the last few years. Maybe, its been speculated, theyve struggled because superhero movies have sucked all the air out of the room. Maybe streaming has trained audiences to look to the small screen for funny fare instead of ponying up for it in theaters. Maybe its that humor, tending toward the culturally specific, doesnt succeed in the international markets that have become increasingly important. Or maybe its because no one knows how to make them anymore, which is the kind of thought that crosses the mind when watching Like a Boss. The alleged comedy, directed by Miguel Arteta and written by Sam Pitman and Adam Cole-Kelly, has a cast so overflowing with talent that the fact that its so un- fun feels like its own kind of dark achievement. How do you make a movie with Tiffany Haddish, Rose Byrne, Jennifer Coolidge, and Billy Porter, not to mention Salma Hayek in full human-cartoon form, and have it be so devoid of joy? Like a Boss, which is about two besties who live and run a small business together, seems like it might have started as a kind of homage to Romy and Micheles High School Reunion. That would, at least, explain the cameo at the end by Lisa Kudrow, one thats presented as though it were meant to be a meaningful reveal and not, in context, totally random. The difference is that Romy and Michele were hilariously overgrown Valley girls and Mia (Haddish) and Mel (Byrne) are nothing in particular. Theyre introduced as entrepreneurs who launched an Atlanta makeup brand together and as flaky stoners incapable of basic tasks at the exact same time. Mia is maybe the creative one and Mel is maybe the responsible one, but neither seems to really do anything when the movie begins — which would explain why their store is deeply in the red, but not why cosmetics mogul Claire Luna (Hayek) would try so hard to acquire them. Claire doesnt just want their company. She has a whole complicated plan to drive the besties apart in order to seize controlling interest. And yet, for a villain, Claire comes across as alarmingly reasonable compared to the films supposed heroines. Her evil schemes mostly involve tasking the women with putting on presentations, requests that cause them to immediately crack under the pressure and then rush to her office to demand their business back. Hayek, swinging a golf club and wearing an orange wig, seems to be having a good time leaning into the role of corporate feminist monster, but the movie fails to provide her with any actual jokes. It fails to provide anyone with any jokes. Byrne, with her deceptively great timing, gets stuck doing two interminable bits that rest on the lameness of her white-girl dancing. Porter, as a longtime employee Mia and Mel are forced to fire after the acquisition, ekes a few chuckles out of a scene in which he storms out through sheer force of will. And Haddish, one of the funniest people in the industry, works so hard in scenes (including one in which she unknowingly eats a dish full of hot peppers) that you start to feel bad. Like a Boss may feel endless, but its only 83 minutes long, the kind of runtime most commonly associated with animated sequels for children that end with animals staging a rousing singalong to “Im a Believer. ” Its hard to guess whether the story was mangled by studio reedits or just didnt have much to say to begin with — both seem possible. The bigger question is why so many strong actors signed on for this misfire. Because as is, it feels like a film whose point is clumsily misunderstood by the very people who created it. And if thats the case, how can they expect anyone else to find a reason to pay for a ticket to see it? Theres still plenty of time to save the studio comedy, but no one would miss films like this if they were gone. Like a Boss Is a Fascinatingly Unfunny Movie.

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